The metronome is not meant to count for you. Performers should focus on developing their own inner pulse or internal metronome. This internal clock is then compared to - and synchronized with - the external metronome. If the performer relies on synching their playing with the metronome without developing an internal pulse, performances (obviously without a metronome) can be unstable. The metronome is no more a substitute for your own rhythmic stability than the tuner is a substitute for your own ability to play in tune. These are great aids for developing our skills, but they don't replace them.
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2 comments:
Funny, this year I have been having my beginners perform their "lines" often with out metronome. I find that not only does it force them to feel the rhythm more but it allows me to "hear" more of what they are doing (articulation, breathing, finger articulation etc) with a quieter environment. Of course we still practice with metronome lots. Love your blog, Bennett says hi!!
Thank you for the information! Your visit last semester made a tremendous impact on our path this year. Everyday during daily drill and while rehearsing music we vary our focus between the met, the baton, and our internal clock.
Your approach has opened up a whole new level of awareness for the students and myself.
Thank you,
Adam Ellard
p.s. If you see Mr. Green please tell him I said hello.
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